Negative Assets is a student-produced literary magazine based out of southern California.

Bad Cop/Bad Cop's "Not Sorry." Reviewed by Taylor Farner.

bad-cop-bad-cop_not-sorry This record is fantastic. I’m glad I gave it a shot. The record released in June, 2015, under Fat Wreck Chords. To give some perspective for this review, I’m a fan of female fronted/dominated bands. I like Riot Grrrl records, and metal-chick bands. I find what Bad Cop/Bad Cop has to say in Not Sorry very interesting, especially in a genre that is, for the most part, male-dominated.

To me, their sound is very close to Gwen Stefani, as far as lyrical image goes (and I mean that to be a good trait. No Doubt is mas tight). The three guitarists in the band all sing. They have two consistent lead singers, Stacey Dee and Jennie Cotterill. They trade off singing the songs, it seems, and act as the front women for the band. Upon seeing them for the first time (04.18.2015) and not knowing who they were or ever having heard of them before, they sounded a lot more rugged, and had a crisper sound in person than they did over their record. It reminded me of Bikini Kill or something like that. It’s the reason I got the record.

The opening track, “Nightmare,” is a nice touch on writing over-polluted love songs, spinning it around a bit, with lines like “I’ll never write a stupid poppy love song/ (Beat) For anyone but you.” Funny, and gives the band character. It tells me Yeah, we’re not here to write a bunch of soppy songs about our crush or whatever, but we’re still human, and like sharing how we feel.

The second track comes on, “Anti Love Song,” and I think, Ah shit, I had high hopes for this album, but there’s already a trend starting here… a hypocritical one at that… But when it’s over, I see that’s not the case. It gives me an impression, but not the one I initially thought I was going to be left with. It was just extra wrapping around the idea they originally started with their opening track. And it is something I think needed to be made. It tells me that it was the right time for them to make the record, for themselves. They have just found who they are as a group, and don’t need to build musical careers off of relationships, and they aren’t defined by their emotional triumphs and failures.

Another track that sticks out is “Sugarcane.” I thought of it as an homage to their female musical predecessors. It follows the narrative of a girl who enters abusive relationships and keeps going back to them. It tells women to stand up for themselves, and stop putting themselves through shitty relationships. While it’s not right, it’s your fault that you keep putting yourself through abuse by not trying to move on, go somewhere else, or find someone that is deserving. It is a bit brutal in that it doesn’t take into account the great deal of physical and emotional pain, but maybe that’s what people need sometimes is brutal honesty.

The whole album is good. You should check them out. I recently saw them live (and wrote about it). They play a lot harder: they’re capable of playing loud, fast, and they’re funny. Go see them, if you can. They’re playing with a lot of their fellow Fat Wreck Chords bands on their various tours.

Good Riddance's "Peace in our Time." Reviewed by Taylor Farner.

The Black Dahlia Murder's "Abysmal." Reviewed by Nic de Sena